
Give a proven creator clip more room to travel
When the clip already works, make a larger review file for a new placement or handoff.
Turn one authorized MP4, MOV, or WebM clip into a larger 2K or 4K-frame result when its source supports a 2× review copy.
Upscale a Video in StudioOne source · 2× dimensions · 2K or 4K based on the source · 35 Studio credits
Drag across one timecode: Before stays left and the real 2× output stays right. It proves delivered dimensions, not invented detail.
The workflow doubles each frame dimension: 720p reaches 1440p, while 1080p reaches 2160p. It enlarges the same clip; it cannot guarantee missing detail.
This page is for video, but the same workflow also accepts still images. This example uses side-by-side media because its framing changed; a split slider would be misleading.


Video detail must hold across time. Review moving outlines, products, and background texture as the subject and camera move.

This separate source-only example shows what to check before spending credits.
Choose a source that already contains the identity, action, and information you need. Enlargement cannot verify uncaptured detail.

Confirm the 2× delivery size you need.
Look for blocks, ringing, and flattened texture.
Pause on fast movement before upload.
Make sure labels are already readable.
Upload, 35-credit quote, task status, result preview, and download happen in Studio.

Choose an authorized MP4, MOV, or WebM.
Studio shows 35 credits before submission.
Keep the task in History while it prepares.
Play the single 2× result before use.
Use upscaling when the source already earns another life and the next delivery needs a larger review copy.

When the clip already works, make a larger review file for a new placement or handoff.

Enlarge a saved campaign clip before a landing page, paid placement, or new social edit.

When an approved scene is too small, review a larger version before the next production decision.
A larger file is not repair. Severe blur, blocks, darkness, and unreadable text still need review or a better source.
A 2× result cannot verify information that was never captured.
Motion blur can remain visible or become easier to notice at a larger size.
Heavy artifacts may persist around faces, text, and high-contrast edges.
Labels and captions still need a manual legibility check before publication.
Upscaling is for an already-correct clip that is too small. Choose another workflow when content, timing, or direction must change.
The clip is right; its usable resolution is not.
Create one fixed 2× version of the same video.
The crop, timing, captions, or scene needs to change.
Edit the existing clip instead of enlarging it.
There is no finished clip worth preserving.
Start from a character, image, or written scene.
Motion timing or smoothness is the real problem.
Use a workflow designed for timing, not resolution.
Approve from the full moving result at its delivery size, not one attractive frame.
A poster cannot prove stable motion.
Check faces, hands, products, and labels.
Look for flicker, halos, and unstable edges.
Review at the next channel’s actual size.
Keep the approved clip’s overall feel.
Resolution review does not verify audio.
One source becomes one fixed 2× result. 720p reaches 1440p; 1080p reaches 2160p. There is no batch mode, target-size selector, frame-rate control, or promise to recover missing detail or audio.
Questions before you continue
These answers describe the current workflow and its limits. They do not promise identical outputs or automatic publishing.
Each route starts from a different input or solves a different production task.
Prepare a larger review version when the source is a still image instead of a video.
Create a new social clip when no finished source video needs to be preserved.
Animate an approved still image when the next task starts before a video exists.
Open Studio when the source clip is already the right clip and you need a larger 2K or 4K-frame result, based on its starting resolution, to review before publishing.